Wilson presents the modern theory of group selection (in contrast to kin selection) as the driving force behind the “eusocial” animals like ants, termites, and, of course. human beings.
Johnson explores the cognitive role of “image schemata”, which are recurring patterns and structures in our minds and which determine how we perceive and interpret our experience of the world. They also allow us to share meanings with each other as the schemata are derived from our bodily experience of functioning in the world and the similarity of our bodies and cultures lead us to have many of the same schemata in common.
Why are we here, what does it mean for us to be human, and now what are we supposed to do? Wilson’s answer to the first two questions is the same: we are the product of an ancient history of physical, evolutionary, and cultural processes which have been unfolding for millennia and longer and which are extraordinarily contingent and could easily have produced an entirely different form of life. And to be human is precisely to be the utterly unique current culmination of those processes in the form of our bodies, minds, predispositions, cultural patterns, and social institutions.
I don’t know much about hip-hop, but I think this history of the music, dance, and graffiti which combined to form it, the people that started it, and the communities that sustained it is pretty good. Not great, but good. There is an extensive list of further reading and listening and when the author gets out of the way and just tells us the story it’s really very good. And he does tell us a lot, including the more unsavory parts of the history from many perspectives. It’s when he tells us what it all means, in the stilted language of critical theory meets hip-hop jargon, that I got a bit glassy-eyed. I still don’t quite know what pre-millennial tension is.
I didn’t know much about Blow other than his NYT columns, which I enjoy. This memoir recounts his early years from childhood to college. It’s a revealing look at a very interesting man.